I work to recontextualize dance and grant it new possibilities for communication,
and to question the limitations inherent in time-based
performance. A relocation of dance from the theatrical stage to zones of different institutions gives rise to a rich and complex territory for discourse that requires
the understanding of historical and contemporary positions of dance
and art simultaneously.
I begin each project with a specific conceptual framework out of which
the work unfolds. Historical inquiry is often a part of my work, whether it is regarding the specific site of performance or a current investigation of my own.
In the past, I have collaborated on projects with visual
artists and these pairings of expertise have uncovered parallels between
interests and influence, exposing interconnectedness between artistic
practices of all categories. At the same time, I have continued to
create solo works that result in my own distinct findings.