Between June 24th and August 20th, Flora Wiegmann decoded the thought-objects of Matthew Ritchie’s NOEMA into dance. By utilizing them as scores, the dancer translated the diagrams into the language of movement, and recorded these readings as they activated the space. She also provided museum-goers with scores to try on themselves and to guide their viewership of the show. This process could be glimpsed at unspecified times during regular museum hours and on the evening of July 20th. On August 20th, Wiegmann presented the collection of choreographies and scores in a formal duet with Devika Wickremesinghe.