New York Times, Signs of the Apocolypse……June 4, 2018, by Jori Finkel (below)
Los Angeles Times, Dance Moves Back in the Picture, June 3, 2018, by Laura Blieberg
6-channel video work, video short and live performance that was first shown in the Made in LA exhibition at the Hammer Museum, Los Angeles.
In the installation, each of the 6 screens represent different stages of entropy; the dance breaks down in a way that suggests alteration of form, disintegration of the movement, movement as rubble, and finally, a place for regeneration. Both the sound, composed by Ben Shemie, and the costumes by Nancy Stella Soto shift and change for each stage of development.
In the live iterations, the dance loops are stacked end-to-end, each a stage in a sequence of transformation over 30 minutes.
The conceptual basis for the work is that regeneration can follow a period of destruction. This as a metaphor for multiple things today in our political, social and natural environments. The recent fires in California remind us that a small spark can set off a course for violent transition. In forest fires, this is a healthy thing– laying the ground for new, vigorous growth. In mythology, the Phoenix rises from the ashes of destruction to start a new life cycle. In today’s uneasy world, this work relys on the hope that this is one of those transitional stages, and out of the rubble, something better will start to rise.
choreography and concept: Flora Wiegmann
dancers: Cheryl Banks-Smith, Rebecca Bruno, Hyosun Choi, Devika Wickremesinghe, Flora Wiegmann
costumer: Nancy Stella Soto
composer: Ben Shemie
directed by: Flora Wiegmann with Katherine Helen Fisher
edited by: Shimmy Boyle
director of photography: Ethan Coco
first AC: Michael Assous
video production: Safety Third Productions
shot at Standard Vision Studios, Los Angeles
Thank you to the Hammer Museum and c. nichols projects for the support to make this work
