Artist of the Month interview on artdotearth 2021
Re-Enchantment, essay by Wiegmann included in Evolving the Forest, edited by Simon Lloyd (Royal Forestry Society), Richard Povall (artdotearth), and Jeremy Ralph (Timber Strategies), and published by artdotearth Books. 2020
New York Times, Signs of the Apocolypse……June 4, 2018, by Jori Finkel (below)
Los Angeles Times, Dance Moves Back in the Picture, June 3, 2018, by Laura Blieberg
“As ecologist Fritjof Capra advocates in his “systems view of life,” the only possibility for the human species to survive is to build and nurture sustainable communities, enabled by reciprocal networks of communication. Theatre may well contribute to this deep cultural ecology by creating living artworks that headline such pressing, if less ostentatious issues as ecology, global warming, artificial intelligence, inequitable, distribution and depletion of our terrestrial resources, and the promise of interstellar migration. In this light LEI offers us a contemplative theatrical timespace, to experience spectacles of covert relevance, making visible our unseen familiar.” MEILING CHENG, University of Southern California
Beach and Tunnel (review), Theatre Journal, Volume 70, Number 1, March 2018, pp. 83-85 by Meling Cheng
VMagazine, Beverly Hills Gets Weirder, Oct. 2014, by Courtney Malick
Review of Dyslexicon, May 2014, by Carol Cheh
Interview with Kate Costello. Note: it starts on page 53
Essay Download: You just had to be there…..or maybe not, written by Flora Wiegmann
homeLA, May 4, 2013 by Carol Cheh
NADA New York Has an Ambitious Dance Program
Dancers in the Architecture, Fresh Pencil, by
When Dancers Take Over Your House, LA Weekly, May 2013 by Susan Josephs
Review of Silke Otto-Knapp and Matrix 239, UAM, UC Berkeley, by Kate Mattingly
Best of 2009, Artforum International, December 2009, pg. 185 by Catherine Wood
How To Survive, Art Practical, June 2011 by Elyse Mallouk
Not the Same Old Song and Dance: Recent Encounters with Karen Adelman and Flora Wiegmann
California Biennial Interview with Chloé Flores
