The Los Angeles Times, Why the Hammer biennial is the right show for disturbing times, June 5, 2018, Christopher Knight

New York Times, Signs of the Apocolypse……June 4, 2018, by Jori Finkel (below)

https://nyti.ms/2LWX44j

Los Angeles Times, Dance Moves Back in the Picture, June 3, 2018, by Laura Blieberg

Los Angeles Times, Olivier Messiaen wrote music in a Nazi prison camp. Artist Susan Silton has asked women to perform it, June 14 2017, by Carolina A. Miranda

VMagazine, Beverly Hills Gets Weirder, Oct. 2014, by Courtney Malick

Review of Dyslexicon, May 2014, by Carol Cheh

Interview with Kate Costello.  Note: it starts on page 53, written by Flora Wiegmann

Essay Download:  You just had to be there…..or maybe not, written by Flora Wiegmann

 homeLA, May 4, 2013 by Carol Cheh

NADA New York Has an Ambitious Dance Program

Dancers in the Architecture, Fresh Pencil,  by 

When Dancers Take Over Your House, LA Weekly, May 2013 by Susan Josephs

Review of Silke Otto-Knapp and Matrix 239, UAM, UC Berkeley, by Kate Mattingly

Best of 2009, Artforum International, December 2009, pg. 185 by Catherine Wood

How To Survive, Art Practical, June 2011 by Elyse Mallouk

Not the Same Old Song and Dance: Recent Encounters with Karen Adelman and Flora Wiegmann

California Biennial  Interview with Chloé Flores