As a dance-based artist, my work inhabits the intersection between visual art and dance, resulting in live performance, video and experiential workshops. This has led me to uncover new systems for dance-making and a wider curiosity for bodily experience as the work itself. My process has always been heavily based on research outside of the dance studio; a particular site, a historical figure or event, natural phenomena and scientific discovery have all led me to conceptual frameworks out of which movement is created. The dance material, then, is an embodiment of these facts.

Going further, cognitive science shows us that we understand the world through our bodily experience of it; thinking is done by our bodies as well as our brains. By moving, or even just watching a body move, one creates new neurological pathways, leading to creative thought. My work aims to highlight this intelligence of the moving body and make tangible the complexity and interconnectedness of our world and experience.